Though the colonies are never seen in Jane Austen's Mansfield Park, the dependency of
the Bertram estate on Antigua for is upkeep is clear from the beginning. Though
a baron, Sir Thomas’s lineage as being particularly old is never mentioned, and
his constant attempts at contact making, first with Mr. Rushworth (a man of little
merit other than his money) and later Henry Crawford, depicts a man who is
still in the process of solidifying his foothold in the British elite. His
house too is described as a “modern built house” suggesting that his is a
family of new money. Thus the house, and the Bertram name has been built on the
income generated in the colonies in the West Indies, a source foreign to
Europe. Thus implying, as Edward Said writes in his essay Culture and
Imperialism, a “wanting within”. Thus the colony in Mansfield Park, though
mentioned a handful of times, is implicit as it is the basis on which the
foundation of it titular setting has been built. This invasion of the foreign
is particularly interesting, as there seems in the characters a general
hesitancy to accept anything that seems un-British, for examples the French
sexuality exhibited by Mary Crawford and it is only one who mirrors the morals
and social attitudes of Thomas Bertram that can be accepted. It is for this
reason that Fanny, another foreign element, is at the end the one who is
assimilated into Mansfield Park.
Both the money generated
in Antigua and Fanny one bought to Mansfield Park are used to build up a front that
holds true to British values of the time and neither holds in it any signs of
its roots. Thus the colony is unapparent in the novel, as are signs of
Portsmouth in Fanny.
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