An intriguing theme that ran through all the three literary
pieces we have done so far is the presence of a mad woman, who was effectively pushed
away from the narrative in one way or the other. The madness too that is steeped
in erotic desires, fiery passions, romantic instincts and rebellious motives. It
begins with Mary Crawford the woman with bold and liberal sexuality. In terms
of the greater national narrative and reinforcing the superior conscience of
Great Britain Mary and her brother are associated with the French manners (loose
morality). The idea however is not just introducing this woman with an
alternate style of life but ensuring that she meets the fate that Britain has
decided for her- off she goes out of this divine inspired hub to suffer in the
land of degenerate species.
Next we have an encounter with our local obsessive Sarah. Despite
her lavish economic class, pre-eminent education, domestic dominance (not
answerable as such to her mother, not restricted from her hang outs) she has
such overwhelming dictation of her heart that she plots the most pathetic of
plans in Ashar, Khirad, Khizr, Fareeda aunty (is anyone left?) lives. She expresses
the yearnings of her affectionate heart, does not conceal them from her aunt (I
cannot imagine telling my aunt I am obsessed with a guy, let alone her son),
puts almost a public show of her sentiments and the drama teaches her a lesson by
just taking her life. The minimal attention given to her death shows that this
is the end she rightly deserved? That’s what people in this country do anyway…take
life for not wearing your religion/morals on your head/sleeve. Killing; a common
practice like drinking tea.
Lastly the much infamous Bertha Mason! She too is described in
terms of a wild sexuality that was too rough for even our Byronic Rochester to
handle. A beastly woman from the West Indies so corrupted that even the purity
of England cannot chastise her. And again we witness that controlling her lies only
in carving out a diseased Indies for her in the enclosed attic. None of the
moral impurity can enter England, which is why Jane has to undergo the most
volatile suffering too…only to ensure she is morally upright at all times.
The presence of these lunatic women and their enthralling
sexual desires is quite a routine in the novels and dramas that intend to shape
national morals. It is amusing that the madness of a consuming and burning longing
is always labelled under the title of a ‘must be cured infection’.
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